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Analysis of the origin and flow of Han’s word “beauty” and the basic system of Chinese aesthetics
Author: Lin Guizhen Wang Yu
Preparation priceSource: Author’s draft
Original in the first draft in 2010, and later revised and supplemented. Thanks to the full text of “Liyi Daobao” for its publication
【Abstract】 “Beauty” is the first model of aesthetics. The character “Beauty” in Han comes from a sheep, and is the shape of a human being. The character “Beauty” is a human figure, and “Beauty” does not represent the fatness of a sheep. The origin of the word “beauty” expresses the beauty of the predecessors. It comes from visual abstraction and visual state of mind, not from the taste of “big sheep” or “big sheep”. The word “beauty” initially refers to the appearance of a person and makes the senses happy, but now the concept of value has long exceeded the reference to auditory value. The best people, especially those with sensory sense, can call it “beauty”. The basic content or basic system of aesthetics is important in the four aspects of the concept of beauty (language), aesthetic mechanism (mind), aesthetic governance mechanism (technology), and aesthetic theory (historical theory). All aesthetic research and research are actually these four. China’s aesthetics must first be clear and accept the achievements of Eastern aesthetics, and secondly, it must fundamentally govern and build new aesthetics to apply Chinese language.
【Keywords】Beauty; sheep; beauty; beauty objects; body system; aesthetic mechanism; beauty system
【Original】 “Liyi Daxue News” 2023 No. 6, 2023, ancient characters do not look good
1. The origin and flow of the word “beauty”
“Beauty” is the first model of aesthetics and the first model of aesthetic problems. The understanding of aesthetics and the description cannot separate the understanding and definition of the model or concept of “beauty” [1]; the exploration and determination of the model or concept of “beauty” is conducive to insight and balance of the essence of “beauty” and aesthetics, as well as the analysis and creation of ordinary objects and basic systems of aesthetics.
(I) The form of the word “beauty” is written in the small seal script ““[2], there are four ways to explore the original: A said that sheep (big refers to the big body), and B said that href=”https://twsweetmeet.com/”>Baoqing Webmaster is a woman, C says a man with feathers, D says a man with sheep head or horns (largely refers to humans); A says asSad, B said it was like Ma Rong, C said it was like Wang Tang and Kang Yin, D said it was like Yu Shengwu and Li Xiaoding[3]. A 官网 said that the most fashionable girl went inside and took out her bottle and cat food, and fed some water and food. In the short term, “Saiwen Jiezi” states that “sweetness is from sheep, and sheep are the main food of domestic animals. It is beautiful and good. “Xu Liu’s notes say “The sheep are beautiful, so they come from big.” Xu Liu said, “The sheep are beautiful, and sheep are beautiful things, so they are good.” Ma Long and the Qing Dynasty Kong Guangju and other people said that the sheep were very interested and called beauty the one with the tunic. Ma also believed that the “beauty” part was “博官网口”, which expresses the phonetics, “from the big watch to the daughter”, and beauty is converted to mother, mother, etc. However, the statement of Yi and B cannot be proved that “big” must refer to women, or Hanzi, nor is it much like a person’s head and a feather. It is said that a certain person is reposting and tracing the meaning with voice is often unreliable.
Zhibing proposed in early 1980 that “the sheep man is beautiful,” and later became ‘the beauty of sheep’.” “Beauty” comes from the “sheep man”, referring to “big people” such as priests and chiefs who are crowned with sheep shapes or heads. “‘big people’ are people who stand up front”Sweetheart Baobabaobaobao.com[4]①. This statement is very popular, and Li Zehou and Liu Xun wrote in the 1984 “History of Chinese Aesthetics” by Xu Xun [5]. However, “beauty” is actually nothing to do with sheep, and “the sheep is beautiful” is also produced by him. For example, in the 1963 “Qian Qiang, Cai, Jing, and Beauty” said that “beauty” comes from the four corners, “the ‘big’ is like the upright shape of a man” [6]. Li Xiaoding’s “Organ Bone Inscription Collection” in 1965 proposed that “beauty” comes from the “sheep man”: “The two words “cheering and sheep are connected, and they are suspected to be like the shape of a man wearing the head of a sheep, and are criticized by Qiang. … Also written as “’, it does not come from the sheep, it looks like a person’s head is inserted into a feather, so it has beauty It is because it is similar to the sheep, so it is just like the sheep ears. I will keep this statement to be tested.”[7]
Shang Chengzuo said with the word “sheep”: “It may be drawn on the head of the sheep, or viewed from the back, or turned it into searches. However, you will know that it is a sheep at a glance.”[8] However, does the “sheep” part of the character “mei” originate from the sheep head or the bird feathers imitating the “big” (man)? He Linjun said the word “beautiful” and “the feathers are worn on it, which is extended to be beautiful”, and said “, the oracle bone inscriptions is written in
(collection 2833), like a person wearing a feather and wearing a object”, “
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(<img src="https://static.rujiazg.com/storage/article/Lin Guizhen et al.: The difference between the front and side of the word "生" and the basic system of Chinese aesthetics is simply a change of one character"[9]. Yang Hua said in 1997 from Wang Yu Tang that the character "王" is clearly seen as a frontal human figure with a feathered object… In the carving of the blue copperware, you can also see the abstraction of this dancer with a feathered object, such as "Mr." (note: "
” and the character “王” is also known as “王” Wang. src=”https://static.rujiazg.com/storage/article/Lin Guizhen et al.: The examination of Han’s “Mei” and the basic system of Chinese aesthetics 1585.png!article_800_auto”>口用”
“, see “Bronze Inscription”)”[10], while Qi Yuping, in 1991, specifically stated that the “sheep” part of the character “mei” was a sheep head rather than a feather decoration[11]. In 2004, Gao Huaping proved that the Chinese Chu Chronicle was now defined as the symbol of “媺” (
, which is half of “beauty”) The shape is not the image of human heads and feathers, but the image of human heads and horns seen on the side [12]②. Qiu Xigui’s “Summary of Literature” says: “The ancient characters include <img src="https://static.rujiazg.com/storage/article/Lin Guizhen, etc.: The character "Beauty" and the basic system of Chinese aesthetics are analyzed by the word "Beauty" and the basic system of Chinese aesthetics are analyzed by the word "Beauty" and the basic system of Chinese aesthetics are changed by it." [13] "Shi Wenjiezi" says "<img src="https://static.rujiazg.com/storage/article/Lin Guizhen, etc.: The character "Beauty" and the basic system of Chinese aesthetics are analyzed by the word "Beauty" and the basic system of Chinese aesthetics are analyzed by it." [13] "Shi Wenjiezi" says "<img src="https://static.rujiazg.com/storage/article/Lin Guizhen et al.: The word "beauty" and the basic system of Chinese aesthetics are analyzed. It is wonderful. It is also beautiful. It is also good. From "<img src="https://static.rujiazg.com/storage/article/Lin Guizhen et al.: The word "beauty" and the basic system of Chinese aesthetics are analyzed. The word "beauty" and the mother is derived from "beauty" and refers to the good looks of people. "Mei/<img src="https://static.rujiazg.com/storage/article/Lin Guizhen, etc.: The pure source examination of Han's word "Mei" and the basic system of Chinese aesthetics are actually related to the use of sheep's head as an art.
Cows and sheep are shown with double horns, “” is the character “Beauty” pure source examination and the basic system of Chinese aesthetics 1823.png!article_800_auto”>” is the character “Beauty” pure source examination and the basic system of Chinese aesthetics 1832.png!article_800_auto”>”The corner is bent down, and the characters are created. Therefore, in 1978, Sung Yiping’s “A Study on the Characters of the Old-Discovered Orb Bone of the Bogen F TC: